By Christopher Thompson (Time Magazine)
Reggae was once associated with politically conscious lyrics, Rastafarians and the palm-fringed shores of its native Jamaica. But forget Bob Marley singing about peace and love; these days some of reggae's biggest acts are just as likely to be advocating the killing of gays in their music.
The Most Homophobic Place on Earth?
The Most Homophobic Place on Earth?
And that has advocates like Britain's leading gay rights veteran Peter Tatchell up in arms.
A few years ago, along with Jamaican groups, Tatchell launched the Stop Murder Music campaign, aimed at bringing the genre to heel. Tatchell has recently succeeded in convincing some of the most notoriously homophobic figures in reggae and dancehall music to stop singing violently anti-gay lyrics like Jamaica-based artist Capleton's hit "More Prophet": "Shoulda know seh Capleton bun battyman [burn gays]/ Dem same fire apply to di lesbian/ All boogaman [gays] and sodomites fi get killed."
Buju Banton — whose smash hit from the 1990s "Boom Bye Bye" also advocates the shooting and burning of gay men — recently signed the "reggae compassionate act" after a three-year campaign by Stop Murder Music. Banton, a Grammy-nominated artist who broke Bob Marley's record of most number one singles in a year on the Jamaican charts, pledged to "respect" the rights of gays to live without fear of violence.
(Sizzla)
He is the latest in a series of high-profile artists, including Beenie Man and Sizzla, to sign the declaration after worldwide protests from gay rights groups resulted in the cancellation of hundreds of concerts and sponsorship deals, costing the artists an estimated US$5 million.
Since "Boom Bye Bye" was released in the early 1990s there has been a corresponding rise in homophobic violence in the Caribbean, although it's difficult to tell which came first — the music or the violence. According to Jamaican gay rights group J-Flag, the rise in homophobic violence culminated in reports of crowds lynching suspected homosexuals after concerts.
"It's a big positive step forward to get four of the top reggae artist to condemn anti-gay violence," says Tatchell, whose group was initially derided as racist when they began picketing reggae concerts in the U.K. and abroad.
"In Jamaica we grew up in a homophobic society and the Bible is what we go by," explains Vincent Nap, a Britain-based reggae artist. "You can't expect us to turn around like our religion doesn't matter."
"Blaming musicians for homophobia is like blaming gangsta rappers for gang violence," says Dorian Lynskey on the London-based Guardian newspaper's popular music blog. "They don't help matters, but they didn't create the problem, nor do they have the power to solve it."
"In Jamaica we grew up in a homophobic society and the Bible is what we go by," explains Vincent Nap, a Britain-based reggae artist. "You can't expect us to turn around like our religion doesn't matter." "Blaming musicians for homophobia is like blaming gangsta rappers for gang violence," says Dorian Lynskey on the London-based Guardian newspaper's popular music blog. "They don't help matters, but they didn't create the problem, nor do they have the power to solve it."
For Nap and other reggae purists, most of the homophobia has been generated by dancehall music — the genre's aggressive offspring — and is not considered to be a true example of the reggae ideals of peace and mutual tolerance.
For Tatchell though, the struggle is not over. Stop Murder Music have their sights on four other big reggae acts who have a big international audience and are still considered to be homophobic: Elephant Man, TOK, Vybz Kartel and Bounty Killa. "The struggle for lesbian and gay human rights," he says, "is a universal one."