Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Monday, March 7, 2011

Never Mind Charlie Sheen Getting Fired, Why Are The Academy Awards So Anti-Diversity?

(The Academy of Motion Picture Arts and Science's Board of Governors)

Oscar Still Isn't Ready For It's Close-up

Dear Governors,

A picture speaks a thousand words and the photos on your website of The Academy of Motion Picture Arts and Science's Board of Governors makes it clear that the leadership of the most prestigious award in the world of film, the Oscar, is not reflective of the world wide audience it serves and certainly not the United States of America.

There are 43 photos of the Governors for 2010-2011.[1] Only 6 of these are women. Based on the 2010 U.S. Census, women are more than 50% of the U.S. population.[2] Why are women only 14% of your board? Minorities now comprise 35% of the population, yet there is no minority representation on your board. Specifically, African Americans are 12.4% of the population and 0% of your board. And, Hispanics/Latinos represent 15.8% of the population yet 0% of your board.

Every news organization has been forecasting the fact that the minority population is going to bypass the white population by 2050. Even Nielsen Media Research is predicting a shift in the film and television market as the population becomes more multi-ethnic. According to Nielsen, more than half of families with children are expected to be multi-cultural by 2025. By 2050, that number is anticipated to be greater than 60 percent.[3]

Why are you ignoring the reality?

Continue...

Sunday, December 19, 2010

Shonda Rhimes Sells TV Pilot About Crisis Manager Judy Smith, Another Successful Black Woman Doing Her Thing!

Talk about keeping black folks employed!

After successfully launching 'Grey's Anatomy and 'Private Practice,' series creator Shonda Rhimes has just sold ABC another television pilot inspired by the career of legendary public relations consultant Judy Smith.

This one, rumored to be called 'In Crisis,' involves a woman and her dysfunctional staff who help popular figures get through scandals in the media unscathed.

Smith's claim to fame is being the first black woman ever to hold the deputy press secretary position at the White House (under former president George W. Bush)

Through her Washington DC based firm, Impact Strategies, Smith has an impressive client roster, including some big-name politicians such as Bill Clinton, former D.C. Mayor Marion Barry, and New York Governor David Paterson.

Having also worked with Philadelphia Eagles quarterback Mike Vick in the midst of his dog fighting case, Smith's foray into Hollywood will be interesting to follow.

Slated for the 2011-2012 television season, Rhimes penned the pilot and is executive producing through her Shondaland production company. The African American television dynamo (she's the first black woman ever to create and executive produce an hour-long broadcast series that lasted longer than one season) is also developing and executive producing a comedic drama, 'Life After Marriage,' which centers on divorce and starting over.

Rhimes's third ABC show, a new medical drama, called 'Off the Map' premieres in January 2011.

Source

Wednesday, May 26, 2010

Meet Actress Lindsay Lohan's Attorney, Legal Eagle Shawn Chapman Holley

After missing her court hearing last week, a judge ordered actress Lindsay Lohan to wear an alcohol-monitoring ankle bracelet – called a SCRAM device – which Lohan's lawyer, Shawn Chapman Holley, argued would interfere with the 23 year-old's ability to film her upcoming role.

On Tuesday — just one day after appearing in court, the clearly troubled Lohan stepped out in bright blonde locks.

Image: Lindsay Lohan
She is next due in court July 6 for a hearing to determine whether she violated the terms of her probation by skipping alcohol education Holley suggested that Lohan be subject to random alcohol testing. "It would allow her to make a living," Holley explained.

Although the judge flatly denied the request, the verdict on Holley is she's the best of the best. See for yourself, in this 2007 interview with Kevin Ross, host of the upcoming America's Court with Judge Ross:



Here's the latest update on the July 6 hearing

Monday, January 4, 2010

Why Hasn't The Princess & The Frog Reach 100 Million in Box Office Sales Yet?

In comparison to black films, it's doing great. With an $86 million box after several weeks in theatres, however, Disney suits can't be pleased with this soft total, especially given all the grief they had to endure to get it made and the millions spent marketing this historic tale.

But Scott Foundas, film critic for LA Weekly, is interviewed by Michele Norris of NPR about the something other than the underperforming numbers that could have a lasting impact on the future of hand drawn animated films.

Foundas deals with the racial aspects of the movie starring Anika Noni Rose as the first Black Disney princess and why the film can't escape the ghetto. Click the picture above to listen to this very interesting interview

Source

Sunday, December 20, 2009

Hollywood Adds Money & Talent To Web Shows, Time For Blacks To Get With The Program

Web sites that buy original video clips often pay so little that "The Bannen Way," a flashy crime thriller debuting online, looked destined to be made poorly if it could be made at all.

Yet budding filmmakers Jesse Warren and Mark Gantt managed to hire 40-odd staff, including a boom operator, camerapeople — yes, more than one — and even production assistants on hand to offer sunscreen and sandwiches. And the production had actors familiar to some TV and movie audiences, including Michael Ironside, Robert Forster and Vanessa Marcil.

The secret to their success? Treat the Internet run like a TV or movie release, which often loses money on its on-screen debut, but can make healthy profits when issued on DVD or Blu-ray and later sold for reruns on cable or overseas.

With that in mind, major movie studios are now getting behind such productions, giving them a lift in budgets and quality — a far cry from the shaky camerawork and dubious special effects prevalent when Web video became a new phenomenon a few years ago.

For Warren and Gantt, who wrapped up shooting in October, a snazzy trailer they produced helped snag Sony Pictures Television as a partner.

"We came up with this idea," said Warren, 31. "There's no limit to how many episodes there can be in a Web series. So why don't we design it as a (feature-length movie) so we can sell it as a DVD feature at the end?"

Sony executives, it turns out, had the same idea.

The studio picked up the project in April and gave it a budget of around $1 million. That's nowhere near the $30 million-plus budgets of many Hollywood movies, but more than the producers were told they could sell it for. Web sites typically pay up to $5,000 for a short clip of original video; with 16 episodes, other Web sites might have paid around $100,000 for "The Bannen Way."

"This money buys more lights and more production value," said Gantt, 40.

Warren appeared to bask in the fullness of his crew: "We can afford extras rather than having our friends come in."

One quirk of the Web is that each episode must have a cliffhanger to keep online viewers coming back. In one scene, the audience learns for the first time that Neal Bannen, the title character, had been working for his mob boss uncle. Bannen's father is the chief of police, and viewers realize the son is about to be entangled in a cops-and-robbers struggle between father and uncle.

"It moves pretty well," Warren says, snapping his fingers. "We had breaks that would naturally lend itself to the Web."

Sony Pictures Television hopes the release will gain buzz and a few advertising dollars when it begins to debut in increments in January on the Sony-owned Crackle.com, a site targeted at males aged 18-34. Then, it will stop running for free online and get repackaged for sale to TV outlets, on iTunes and elsewhere.

Editing finished this month on the feature-length project. There's no substantial difference between the whole or spliced versions — just that the Web version has episodic breaks at certain climaxes.

Although the main goal is to drive traffic to Crackle.com, which Sony Corp. acquired when it was called Grouper for nearly $60 million in 2006, made-for-Web productions are expected to make a profit by themselves.

Thus, studios scrutinize projects before approving them and committing funding — green-lighting in industry speak. In this case, studio input during the production was also part of the process.

"We go through a very similar green-light process as we would for any piece of content in the studio," said Eric Berger, senior vice president of digital networks for Sony Pictures Television, which is planning to make 15 Web productions annually. "How and why we make them and where we will make money is conceived with every project."

Paramount Pictures's digital arm is also backing made-for-Web productions that can make additional money in other formats. Paramount spent $1 million to $3 million making a horror movie, "Circle of Ei8ht," which began showing on MySpace in installments in October in an initial run through Dec. 8. The series had generated nearly 5 million views online — which would rank it among the most-watched shows if it were on cable TV.

To help pay for production, Viacom Inc.'s Paramount lined up a key product-integration deal with PepsiCo Inc.'s Mountain Dew and sold rental and on-demand rights for one month exclusively to Blockbuster Inc. MySpace, which is owned by News Corp., kicked in marketing support.

"I don't think there's been a more expensive piece of content made for the Web," said Thomas Lesinski, president of Paramount Digital Entertainment, which has two other Web projects in the works.

He added that hiring professional talent and crew and paying for an original score will help sell "Circle of Ei8ht" when it makes it onto other platforms such as iTunes, DVD and video-on-demand.

"The stuff that we're creating could easily play on television," he said.

Brady Brim-DeForest, the co-founder of research and news site Tubefilter.tv, calls the renewed activity "the second coming of original programming online."

He cited the recent success of "Dr. Horrible's Sing-Along Blog," which "Buffy the Vampire Slayer" creator Joss Whedon made during the writers strike last year.

He estimates "Dr. Horrible" cost $220,000 to make but brought in about $2.4 million within a year, after sharing advertising revenue on Hulu.com and selling the movie and soundtrack on iTunes, as well as DVDs and merchandise. It went on to win an Emmy.

Internet shows have also made the transition to television. After a one-episode flirtation on NBC, "quarterlife" found a home on the NBC Universal-owned Bravo network last year. Sci-fi Web series "Sanctuary" made it on Syfy, and "Secret Girlfriend" ran on Comedy Central this fall.

Yet for every Web series that is made with a modest budget and high-profile directors such as "The O.C." creator Josh Schwartz — who made "Rockville CA" for The WB's site — there are about 20 made independently on a shoestring, Brim-DeForest said.

"What's so spectacular is they are all drawing an audience, finding a niche," he said. "That's the power of the Internet as a distribution medium. It's very compelling."

In October, Michael Eisner's Web production startup Vuguru got a multimillion-dollar capital injection from a unit of Canada's Rogers Communications Inc. in a deal that gives Rogers the right to use Vuguru content on television, the Web or even its rental video stores in Canada.

Vuguru had already made several sales internationally. Its "Prom Queen" hit from 2007 was translated, recast and reshot for the Web in Japan. A dubbed version ran on cable TV in France and it ran as-is on Yahoo's Australian site.

Rogers' minority investment will ensure Vuguru can ramp up its production to some 15 projects a year, compared with a half dozen over the last two years combined, said Andy Redman, chief operating officer of The Tornante Company LLC, which owns a majority of Vuguru. The plan is to boost the staff to 30 in a few years, up from two people who currently work on Web projects full-time, he said.

Redman compared the growth of the new platform to cable television in the 1980s, when networks like ESPN, CNN and MTV were just getting going, reaching focused audiences at first and then growing.

Today, cable networks like AMC put on some of the most critically acclaimed series on TV, such as its Emmy-winning "Mad Men," and have largely cast off their reputation as being a receptacle for reruns or shows that failed on broadcast TV.

"It was the platform to be joked about," he said. "Five years later, they've realized this whole new medium passed me by."

By RYAN NAKASHIMA (AP)

On the Net:

The Bannen Way: http://bit.ly/8pI4Ky

Dr. Horrible's Sing-Along Blog: http://bit.ly/8D6Wjm

Rockville CA: http://bit.ly/6HRmCk

Vuguru: http://bit.ly/7IE3Ee

Tuesday, September 1, 2009

Saturday, August 22, 2009

Filming on Terrence Howard's New Pic "Little Murder" Gets A Little Too Real In Hard Up Detroit!

Members of actor Terrence Howard's Hollywood film crew found some gritty real-life drama this afternoon on Detroit’s west side when two shotgun-wielding teens robbed them in the normally quiet neighborhood. They were there shooting the talented thespian's upcoming film Little Murder.

The crew was in the 4800 block of Avery in Detroit’s Woodbridge neighborhood surveying the area in preparation for a film shoot when two teens in bandanas robbed them about 2:15 p.m., said Detroit Police Sgt. Eren Stephens Bell and spokesman John Roach.

Terrence Howard was not on the scene when the incident occurred. Probably too busy fending off all the women going gaga over the Channing Tatum film "Fighting" just released on DVD.

“Both had shotguns, and they robbed them at gunpoint,” Roach said. “They got a wallet and a cell phone from a crew member and fled on foot."

Details

Friday, December 26, 2008

Eartha Kitt, Legendary Entertainer, International Icon Dies

Eartha Kitt, a sultry singer, dancer and actress who rose from South Carolina cotton fields to become an international symbol of elegance and sensuality, has died, a family spokesman said. She was 81.

Andrew Freedman said Kitt, who was recently treated at Columbia Presbyterian Hospital, died Thursday in Connecticut of colon cancer. This is our 3BAAS tribute.



Kitt, a self-proclaimed "sex kitten" famous for her catlike purr, was one of America's most versatile performers, winning two Emmys and nabbing a third nomination. She also was nominated for several Tonys and two Grammys.


Her career spanned six decades, from her start as a dancer with the famed Katherine Dunham troupe to cabarets and acting and singing on stage, in movies and on television. She persevered through an unhappy childhood as a mixed-race daughter of the South and made headlines in the 1960s for denouncing the Vietnam War during a visit to the White House. Through the years, Kitt remained a picture of vitality and attracted fans less than half her age even as she neared 80.

When her book "Rejuvenate," a guide to staying physically fit, was published in 2001, Kitt was featured on the cover in a long, curve-hugging black dress with a figure that some 20-year-old women would envy. Kitt also wrote three autobiographies.

Eartha As The First Black Cat Woman On Batman... Sorry Halle

Once dubbed the "most exciting woman in the world" by Orson Welles, she spent much of her life single, though brief romances with the rich and famous peppered her younger years.

After becoming a hit singing "Monotonous" in the Broadway revue "New Faces of 1952," Kitt appeared in "Mrs. Patterson" in 1954-55. (Some references say she earned a Tony nomination for "Mrs. Patterson," but only winners were publicly announced at that time.) She also made appearances in "Shinbone Alley" and "The Owl and the Pussycat."

Her first album, "RCA Victor Presents Eartha Kitt," came out in 1954, featuring such songs as "I Want to Be Evil," "C'est Si Bon" and the saucy gold digger's theme song "Santa Baby," which is revived on radio each Christmas.

AP Writer Polly Anderson has more Eartha history. / ABC News

Friday, October 3, 2008

Could Tyler Perry Cause Barack Obama To Lose The Presidency?

Black Hollywood's Tyler Perry, one of Barack Obama's staunchest supporters and prized campaigners and film biographers, is being accused of union busting, according to a complaint filed Thursday with the National Labor Relations Board. This is not a good look for brother Barack, particularly since his pro-labor stance is diametrically opposed to this type of drama.

Perry invited the presidential candidate to the grand opening of his entertainment studio on the outskirts of Atlanta, Georgia, this coming Saturday night. But if Obama attends he will be met by picket lines thrown up by the Writers Guild of America with support from other unions including the Teamsters, even though the latter union has officially endorsed the Democrat. "This is just the first step. We've got a lot more planned," a WGA insider told me last night, indicating that the Perry picketing may widen to Time Warner's TBS and Warner Bros which broadcasts his hugely popular House Of Payne sitcom, and an upcoming TV spinoff of one of Perry's movie's Meet The Browns.

Perry is much more than just another Barack Obama supporter. He is a donor of the maximum $4,600 to the campaign. (In fact, he donated $6,900 but then took back $2,300 when it exceeded the limit.) He also has announced plans to make an Obama film. Perry told the press he is already writing, and plans to direct and produce as soon as late this year, a love story inspired by the relationship between Obama and his wife Michelle. (Perry has said he dreams of casting Denzel Washington and Angela Bassett in the lead roles.) It's not known if the Obamas are cooperating with the film, but the idea occurred to Perry after he heard their story when he had dinner with the couple as well as from his close pal, Oprah Winfrey, who is Obama's biggest showbiz supporter. (Perry this summer traveled with Oprah to Italy. And it was Oprah who recently convinced Perry to write his autobioraphy. In fact Perry credits his entire writing career to the inspiration he received watching the Oprah Winfrey Show.) Perry told reporters about the Obamas, "They just inspired this amazing story. It’s a love story with a little political twist... It’s called For the Love of You and it’s about his love for his woman. It’s going to be amazing."

Also, around the time of the Democratic National Convention this summer, Perry suggested that Obama bring onto the ticket "Madea" -- the recurring character played by Perry in Diary of a Mad Black Woman, Madea’s Family Reunion, and other of his films. "Madea is the running mate -- Obama and Madea, that's it," he joked to reporters. "She's heading up foreign affairs and I think she'll be Chief of Staff so we'll see!"

Perry also has been stumping for Obama, most recently in the battleground state of Florida in front of faith-based groups because of his religiousness. The entertainment mogul and native Southerner spoke to several hundred people at the New Mount Olive Baptist Church in Fort Lauderdale Friday to encourage them to register and vote for Obama. He said he'd never cast a ballot in his 39 years but recently registered in Georgia because he said Obama had moved him to do so, "not because Barack Obama is black. That would be a ridiculous reason to vote for somebody. [But because] he is the best candidate and the most qualified to lead this nation." Campaigning in Miami-Dade and Broward counties over the weekend, he gave what he described as "embarrassing testimony" about being one of those people who didn't believe his vote made a difference. "There are a lot of people who think that way. I was wrong," said Perry. But after hearing a speech in which Obama outlined his background, "it became clear to me that finally someone has come along who can relate to hard working people."

Why allegations of union busting against Perry are so embarrassing to Obama is not just because unions are the stronghold of the Democratic Party but because he had to spend considerable time and effort courting the national unions for their primary and general election support. Most of the union support had first gone to Hillary Clinton and John Edwards in the first stages of the primary, and then began to swing to him when Edwards dropped out of the race and swung his support to Obama. That's only when Obama got close to equalizing Hillary's advantage with organized labor. Union support will prove vital to Obama in battleground states with McCain like Ohio, Michigan and Pennsylvania which have hundreds of thousands of manufacturing and blue collar jobs over the past 15 years. Nevada is another battleground state with McCain, and many credit Obama's caucus win there over Hillary to the endorsement he received from the state's influential 60,000-member Culinary Union, which represents Nevada's casino, hotel and restaurant employees, in conjunction with its parent union, Unite Here, which has 460,000 members nationwide. Among other endorsements received by Obama are the steelworkers, mineworkers, and AFL-CIO.

The Writers Guild played a role during the Democratic presidential primary when Obama, Clinton and Edwards all refused to cross picket lines while the Hollywood guild was on strike. (Edwards even visited one huge WGA rally, and Obama was criticized for not attending.) In addition a CBS televised debate among the Democratic presidential candidates had to be canceled to avoid a potential conflict with striking WGA writers. The decision was made by the Democratic National Committee concerning a December 10th, 2007, debate at CBS Television City in Los Angeles, where pickets gathered every day.

The Perry company's alleged union-busting activities were kept secret until last night when at 4 pm PT I reported that the WGA West had issued a surprise news release about what had gone on for the past six months inside his production company, House of Payne, LLC. that same day, the guild filed unfair labor practice charges with the NLRB, alleging that House of Payne unlawfully fired four writers in retaliation for their union activity. The charge also accused the company of bargaining in bad faith with the Guild, which had been seeking to negotiate a contract covering the writers on Perry’s cable television series House of Payne and Meet the Browns. The four scribes, Kellie Griffin, Christopher Moore, Teri Brown-Jackson, and Lamont Ferrell, are all African Americans and together have written over 100 episodes, according to the WGA.

A lawyer for Perry is claiming that the firings had nothing to do with contract negotiations but was related to "the quality of their work". But the timing of the firings is especially suspicious since it comes just as House Of Payne was being syndicated (which is when the big money starts to roll in) and just when the writers were working on the development of Perry's new comedy premiering in January on TBS. Perry's lawyer admited that all the contract issues were pinned down except one -- residuals from repeats shown on broadcast TV stations. Those small residuals are vital to the financial security of showbiz writers. By contrast, Perry signed a $200 million 100-episode deal with TBS for the show. Besides residuals, Perry has refused to agree to a WGA contract that would give the writers health care benefits or pensions. On Tuesday of this week, Perry fired the writers, after warning them some weeks ago that they should “be careful about pushing the WGA deal or you could be replaced,” according to one of the axed scribes.

Although Perry's entertainment content has been criticized for perpetuating African American steroetypes, his production business is one of the most active and profitable around. He owns 100% of his films and TV productions, so, as an indie, he can forgo a guild agreement even though most producers become signatories in order to employ WGA-caliber writers.

This weekend is the grand opening of his 60,000 square foot production complex on 28 acres situated in Atlanta's outskirts. Tyler Perry Studio is a monument to himself as well as the first independent studio of its size to open in Georgia. It features a 300-seat screening room, three soundstages, and a theater. It will also host a theater company and acting school in the future. But on Saturday and again on Sunday, the WGA, the Teamsters, and other union groups will be picketing the gala. A large crowd of Hollywood actors wo'veworked with Perry as well as local luminaries are expected to attend. But the WGA unions are asking them to respect the picket line and stay away.

Source?

Thursday, July 17, 2008

And the Oscar, Uh, Election Goes To....


By Jayar Jackson

Campaigning, shaking people's hands, kissing babies, and making inspirational speeches; all this to appeal to enough voters to get elected into office.

I've wracked my brain trying to figure out why no matter what our beloved politicians say or do, good or bad, once many of us have made up our minds made up on "our guy" there's little anyone can do to shake that support.

We think we see the person on stage that we know and love, but in reality, we don't truly know these guys, mostly because they don't want us to, and neither do we.

American politicians are much like our beloved Hollywood celebrities. Sure, many of them are drug addicts or drunks with horrible attitudes when fans happen to meet them, but damn we love that one character they played and the way they delivered that one line from our favorite movie!

They're surrounded by advisors, stylists, speech writers, image consultants, and publicists so much that we see what their crew creates for us. They even ask us in polls what we like and don't like, just so they can mold this perfect image before our very eyes, while we let out ooohs and aaahhs like it's the 4th of July and we weren't expecting that grand finale we see every year.

Let me take a few of our favorite DC celebrities to see which image-driven, red carpet prima Donna, they embody the most.

Recently defeated Democratic primary candidate Hillary Clinton had an image of a tough, hard as nails candidate with the brains of a scholar, but the delicate touch only a woman could provide. Oh, she can go into battle with the fellas, but offered the sensibility and slight vulnerability no man could ever have…unless he's some kind of wuss.

Kind of remind you of Jodie Foster, doesn't it? She went face to face and matched wits with a flipped out, human flesh-snacking Hannibal Lecter in The Silence of the Lambs, but later showed a vulnerable, but still savvy under pressure side of her in Panic Room, battling three brutal home intruders while caring for her diabetic daughter.

Democratic nominee for President, Barack Obama is the candidate for change, as we've all heard and many have fallen in love with.

It doesn't hurt that many women declare that he's not too hard on the eyes, either.

All candidates seem to say the right things, but Obama has a way of making you "feel" the right things as he says them. Supporters and detractors alike admit that he's an amazing orator, picking up friends and admirers like a rockstar on the campaign trail.

Although people love him for this, those very same things make others dislike him, but the plan is to make EVERYONE adore him. This all-around, good looking, smooth talker makes you wonder when Denzel Washington will be stepping up to fill in when Barack has come down with the flu.

Denzel has been the rookie cop that was catapulted to fame and adoration in the movie Ricochet due to his intelligence, quick wit, and mass appeal to anyone that encountered him. As the consummate good guy, an elaborate plot to ruin his career, reputation, and family life didn't happen.

Although it was a lot of work, all he really had to do was talk and smile for everything to be alright.

President Bush is beginning to wrap up his 2nd term as the tough guy that you'd love to have a beer with. Bush appealed to the "regular guy" that loves his country, hates it when others disparage it, and will do anything to make sure things go the way he thinks they should. His biggest defenders and supporters admit he's no Aristotle when telling you exactly what he's thinking or how his elaborate plan will work, but dammit, it's going to work b/c this is the United Freaking States!!!

Nobody can see us or be us!!

This never die attitude is what we see every time Sylvester Stallone takes another role. He mercilessly shot bastards in the head in Rambo, took beatings fight after fight in the Rocky movies, and even embarrassed himself in Stop! Or my Mom Will Shoot, but through all those roles and even more, his growling delivery and speech from the side of his mouth never changed, no matter what the public opinion polls said!

When compassion and funny didn't work he just went back to the well, picked up another huge gun in a new Rambo, 26 years later to shoot a few more bastards and beat a few more asses in Rocky Balboa (part 6), 30 years later. Being a tough guy always helps, even in Washington DC.

Now I'm just wondering when we'll find a candidate with enough nerve to move in with his rich uncle, take on two different kinds of aliens, beat up virtually indestructible robots, survive as the last man on earth, and then be a superhero! Maybe Will Smith should just start campaigning now as governor of Pennsylvania and get it over with.

Sunday, April 6, 2008

Black Actresses Claw Their Way To A Role With Substance And Our Girl Thandie Wins Out!


Thandie Newton Gets Cast in 'W'

Oliver Stone has found the sistah to play Condoleezza Rice in his upcoming "W," with Thandie Newton in final negotiations to star as the National Security Advisor-turned-Secretary of State.

Newton, born in Zambia and raised in England, is a Brit, making her the first non-American to be cast for a role in the U.S. administration.

The svelte biracial beauty has previously had roles in "The Pursuit of Happyness" and "Mission Impossible: II." She's currently in Picturehouse's "Run Fatboy Run" and stars in Guy Ritchie's upcoming mob pic "RocknRolla."

Stone's "W" is expected to start shooting shortly, with QED and Stone's own Ixtlan banner producing and QED financing. Bill Block, Moritz Borman and Jon Kilik are producers.

The movie will look at Bush's formative years and path to the president as well as his life inside the White House.

As one of the few cabinet members to serve during both Bush terms, Rice's role in the Bush White House is seen as pivotal. According to those who've read the "W" script, Rice is said to be in a key first scene as well as a number of scenes connected to the Iraq war. Blair also appears in Iraq-related scenes.

Among the key "W" roles yet to be cast are those of Dick Cheney, Donald Rumsfeld and Karl Rove. [Hollywood Reporter]

Moses Has Died!

Actor, Activist And Target of Michael Moore Dead at 83

Academy Award-winning actor Charlton Heston passed away yesterday. His film career spanned move than five decades and included more than 85 roles, including Moses in "The Ten Commandments" and the title role in "Ben Hur."

Heston is also remembered by many for his conservative activism and tenure as president of the National Rifle Association.

No cause of death has been announced, however, Heston said in 2002 that he had symptoms consistent with Alzheimer's disease. In a message at the time, he told fans, "I've lived my whole life on the stage and screen before you. I've found purpose and meaning in your response. For an actor there's no greater loss than the loss of his audience. I can part the Red Sea, but I can't part with you."

With his deep voice and noble physique, Heston was for five decades the symbol of confident authority on film. He was a believeable white Moses in "The Ten Commandments" and won an incredibly riveting chariot race in "Ben-Hur."

Of more than 85 movie parts, "Ben-Hur" (1959) was a career-defining performance. It won 11 Oscars, including best actor for Heston, who played a Jewish prince seeking revenge on those who harmed his family and sent him into slavery.

Heston's physical stature was crucial to grand-scale and adventure films in the 1960s. He was Michelangelo painting the Sistine Chapel in "The Agony and the Ecstasy"; an 11th-century Spanish warrior in "El Cid"; British Gen. Charles "Chinese" Gordon fighting an Islamic warrior priest in "Khartoum"; and an astronaut held captive by a society of intelligent gorilla rulers in "Planet of the Apes."
Critic Pauline Kael wrote in her "Planet of the Apes" review: "With his perfect, lean-hipped, powerful body, Heston is a godlike hero; built for strength, he's an archetype of what makes Americans win. He doesn't play nice guy; he's harsh and hostile, self-centered and hot-tempered. Yet we don't hate him because he's so magnetically strong; he represents American power -- and he has the profile of an eagle."

He lost at least one important part because of his screen image. Director Steven Spielberg reportedly chose Roy Scheider over Heston in the thriller "Jaws" (1976) because Spielberg felt it would ruin the suspense to have "Moses" battle a great white shark.

Off-screen, Heston was known in Hollywood for his activism. He served as president of the Screen Actors Guild (1965 to 1971), helped create the American Film Institute and voiced support for the National Endowment for the Arts. In 1978, he received the Academy of Motion Picture Arts and Sciences' Jean Hersholt Humanitarian Award for his service to the industry.

At first a liberal, he increasingly found himself agreeing with conservatives on matters ranging from national defense to popular culture. He said he always enjoyed adopting causes before they were popular, whether defending civil rights in the 1950s and 1960s or the gun lobby in the 1980s and 1990s. He was politically independent for decades, and even after joining the Republican Party he remained close to many Democratic friends.

Heston became a hero to conservatives when he stood up at a Time Warner shareholders meeting in 1992 to protest an Ice-T hard rock song written from the view of a cop killer. There, Heston read the song's lyrics in slow, deliberate tones, and helped bring pressure on the company to act against Ice-T, who removed the song from the album.

He would go on to use his celebrity to open doors on Capitol Hill and attract crowds to gun rallies nationwide. He defended the NRA during a period of high-profile gun attacks in schools -- he said such deadly events were "a child issue, not a gun issue." He became increasingly pointed against Democratic politicians who tried to blame the NRA's legislative influence for the killings.

At a 2000 NRA rally in Charlotte, Heston declared the presidential race a referendum on gun-control legislation and criticized Democratic candidate Al Gore. Holding aloft a Revolutionary War rifle, Heston said, "When the loss of liberty looms as it does now, this is for those who would take it -- and especially for you, Mr. Gore -- from my -- cold -- dead -- hands!"

Heston aroused great anger from the political left. Filmmaker Michael Moore's Oscar-winning "Bowling for Columbine" (2002) tried to show Heston as callous toward shooting victims. Moore's treatment of the visibly frail actor and what some reviewers contended were flawed facts may have backfired.

Al Gore told the New Yorker magazine, "I really appreciate what [Moore was] trying to do, but I wouldn't have thought before seeing the movie that anyone could have aroused any sympathy in me for Charlton Heston. And yet he did."

Heston stepped down from the NRA presidency in 2003. The same year, President George W. Bush awarded him the Presidential Medal of Freedom, the nation's highest civilian honor, for his accomplishments in movies and politics.

John Charlton Carter was born in Evanston, Ill., on Oct. 4, 1924. He spent his early childhood in St. Helen, Mich., where his father was a deputy sheriff.In a memoir, he wrote that his parents' divorce when he was 9 was a wrenching surprise. He soon took his stepfather's surname, Heston, to hide what he considered the shame of the divorce.

The family moved to a poorer neighborhood in the largely affluent Chicago suburb of Wilmette, Ill. Heston spoke of himself as a shy loner -- gangly, pimply and ill-dressed -- and stuck with the nickname "Moose" because of his already-deep voice. He was in the rifle and chess clubs in high school and tried out for a play.

Onstage, Heston found a place to distinguish himself. He outgrew his physical awkwardness and became a leading man in school and community theater productions.

Heston spent two years at Northwestern University on a drama scholarship before leaving in 1943 for military duty during World War II. In 1944, he married a Northwestern classmate, actress Lydia Clarke, and they settled in New York before embarking on his Hollywood career.

Heston started in Tinseltown as a replacement for Burt Lancaster in the gambling drama "Dark City" (1950). As in "Dark City," Heston also had virile, slightly menacing roles in "Ruby Gentry," "The Naked Jungle" and "The Greatest Show in Earth," director Cecil B. DeMille's circus drama. DeMille then cast Heston in "The Ten Commandments" (1956), a hugely popular film.

To work with director William Wyler, Heston agreed to play the secondary lead opposite Gregory Peck in the western "The Big Country" (1958). Wyler was impressed with Heston's performance as the bullying ranch foreman and cast him in "Ben-Hur" after a long search for the right leading man.

"Ben-Hur" was filmed in Rome and, at $15 million, was the most expensive film then made by MGM, which was dangerously close to bankruptcy. The finished movie had a running time of 3 1/2 hours and culminated in a stunning chariot race coordinated by veteran stuntman Yakima Canutt. The movie saved MGM from bankruptcy.

Heston liked playing what he called "extraordinary men" -- President Andrew Jackson, Cardinal Richelieu, Michelangelo. He said he became disenchanted with Hollywood culture in the late 1960s that portrayed authority figures in a negative light. He began to speak out against the changing political and social climate, taking a largely conservative view.

"I find the character from the specifics about him -- the way he looks, the clothes he wears, the watch he carries," he told the Saturday Evening Post. "I resonate enormously on these external things."
Heston, who helped organize the artists' contingent to the 1963 civil rights March on Washington, later said the civil rights bills spurred by the march led to a "tangle of entitlements and reverse discrimination."

While at the NRA, he offended many when he spoke of a larger culture he said he long ceased to understand, highlighting in one 1998 speech the "fringe propaganda of the homosexual coalition, the feminists who preach that it is the divine duty for women to hate men, blacks who raise a militant fist with one hand while they seek preference with the other."

The NAACP protested the remarks, but Heston declined to apologize. He said his larger concern was "political correctness" that caused the further splintering of America. He elaborated on his views of society in his books, including "In the Arena: An Autobiography" and "To Be a Man: Letters to My Grandson."

Passing away at his Beverly Hills home, survivors include his wife and two children, director Fraser Clarke Heston and daughter Holly Ann. [Washington Post]

Thursday, February 28, 2008

Folks Who Get It: Blogger And "Juno" Writer Diablo Cody Has Mad Skills


ONLY IN HOLLYWOOD

Screenwriter Diablo Cody is a freak of nature. How do you go from being a stripper, to a blogger to an Academy Award winner?

The 29-year-old Cody (real name: Brook Busey-Hunt) saw her first movie, Juno, hit U.S. screens last December. Now, this quirky White girl is the executive producer and head writer for Steven Spielberg's TV series The United States of Tara, scheduled for a 2008 debut on Showtime. She's got more movies in the works, and in 2007 the Hollywood Film Festival gave her the Hollywood Breakthrough Screenwriter of the Year Award.

An online legend and now one of Hollywood's hottest screenwriters, if you want Cody's type of success, take heed. Follow Cody's "Five Easy Steps to Blogging Your Way to Hollywood Success." It's a foolproof system, really.

Step One: Study Writing in School

It's indisputable within the halls of higher education that every student who majors in creative writing in college goes on to be a successful celebrity scribe. Never mind that Cody's professors thought their future star would collapse into white dwarfdom soon after commencement.

"One of my teachers told me that I was lazy," Cody explained. "He said, 'I think you're the best writer I've ever taught. But I'll never hear from you again because you have no ambition.' I never intended to get my writing out there. I always thought of published writers as honor roll students -- the real overachiever types. I never intended my work as a springboard to anything else. I write because I'm addicted to it. It's my confessional."

Step Two: Start Blogging and Wait to Be Discovered

After college, Cody left her native Chicago for the romantic Twin Cities -- trading Post-it Notes for pasties while exploring the frosty Minneapolis underworld as a stripper. She described the perils of pole-dancing on the popular Pussy Ranch blog.

Because there are only a few blogs online these days (Technorati currently tracks a mere 112 million), it was a safe bet that a successful Los Angeles literary manager (Mason Novick) would find Cody's work and inquire from 3,000 miles away about her literary ambitions.

"Before Mason found me, all I'd written was the blogs for City Pages in Minneapolis," Cody said. "He asked me if I'd thought about writing something else. I started my book after that."

Step Three: Write Your Memoir at Age 24 and Publish It

After Novick stirred Cody into action in defiance of her cynical writing instructor, she cranked out a memoir documenting her experiences in the sex industry, Candy Girl: A Year in the Life of an Unlikely Stripper. Novick lined up a publisher for the completed manuscript, and Cody soon found herself hawking her wares to David Letterman and CNN's hosts du jour.

"Without Mason, none of this would have happened," Cody said. "I'm not awesome at self-promotion. Mostly I was just blogging in my own little bubble. I'm lucky I did what I did when I did it."

Step Four: Write/Sell Your First Screenplay

Following the success of her book, Cody took a shot at movies. Her first script (for Juno) landed director Jason Reitman on the heels of Thank You for Smoking and a cast including Jennifer Garner and Jason Bateman. (Cody and Reitman are also working together on horror-comedy flick, Jennifer's Body, according to The Hollywood Reporter.)

"It's been fun, and I'm enjoying it while I can," Cody said. "I think there's room for more talented bloggers to break into Hollywood. It seemed like a fluke when I did it, but I won't be the last blogger to have a film produced."

Step Five: Produce a TV Show for Steven Spielberg

As executive producer and head writer for Spielberg's The United States of Tara, Cody is lending her quick wit and golden touch to cable television -- while waiting for the next blogging star to chase her down Sunset Boulevard.

"There are so many talented people that exist in the marketplace," Cody said. "So, don't look for a plan. Put your blog out into the world and hope that your talent will speak for itself."

See? It's just that easy.

By Wired's John Scott Lewinski

Sunday, February 10, 2008

"Jaws" Actor Roy Scheider Dead at 75


Congratulations, You've Been Promoted Mr. Scheider

Roy Scheider, Amity chief of police in the 1975 classic "Jaws", died on Sunday afternoon in Little Rock, Ark. He was 75-years-old and lived in Sag Harbor, N.Y.

The talented thesp suffered from multiple myeloma for several years, and died of complications from a staph infection, his wife, Brenda Seimer, said.

Mr. Scheider’s rangy figure, gaunt face and emotional openness made him particularly appealing in everyman roles, most famously as the agonized main character in Steven Spielberg’s scary, breakthrough water thriller about a New England resort town haunted by the knowledge that a killer shark is preying on the local beaches.

Scheider conveyed an accelerated metabolism in movies like “Klute” (1971), his first major film role, in which he played a threatening pimp to Jane Fonda’s New York call girl; and in William Friedkin’s “French Connection” (also 1971), as Buddy Russo, the slightly more restrained partner to Gene Hackman’s marauding police detective, Popeye Doyle. That role earned Mr. Scheider the first of two Oscar nominations. Scheider also played the lead role in Bob Fosse’s “All That Jazz” (1979).

Born in 1932 in Orange, N.J., Mr. Scheider earned his distinctive broken nose in the New Jersey Diamond Gloves Competition. He studied at Rutgers and at Franklin and Marshall College in Lancaster, Pa., where he graduated as a history major with the intention of going to law school. He served three years in the United States Air Force, rising to the rank of first lieutenant. When he was discharged, he returned to Franklin and Marshall to star in a production of “Richard III.”
Offered a leading role in “The Deer Hunter” (1979), Mr. Scheider had to turn it down in order to fulfill his contract with Universal for a sequel to “Jaws.” (The part went to Robert De Niro.)

“Jaws 2” failed to recapture the appeal of the first film, but Mr. Scheider bounced back, accepting the principal role in Bob Fosse’s autobiographical phantasmagoria of 1979, “All That Jazz.” Equipped with Mr. Fosse’s Mephistophelean beard and manic drive, Mr. Scheider’s character, Joe Gideon, gobbled amphetamines in an attempt to stage a new Broadway show while completing the editing of a film (and pursuing a parade of alluring young women) — a monumental act of self-abuse that leads to open-heart surgery. This won Mr. Scheider an Academy Award nomination in the best actor category. (Dustin Hoffman won that year, for “Kramer vs. Kramer.”)

One of the most memorable performances of this cool White guy's late career was as the sinister, wisecracking Dr. Benway in David Cronenberg’s adaptation of William S. Burroughs’s “Naked Lunch” (1991).

Living in Sag Harbor, Mr. Scheider continued to appear in films and lend his voice to documentaries, becoming, Ms. Seimer said, increasingly politically active. With the poet Kathy Engle, he helped to found the Hayground School in Bridgehampton, dedicated to creating an innovative, culturally diverse learning environment for local children. At the time of his death, Mr. Scheider was involved in a project to build a film studio in Florence, Italy, for a series about the history of the Renaissance.

Besides his wife, his survivors include three children, Christian Verrier Scheider and Molly Mae Scheider, with Ms. Seimer, and Maximillia Connelly Lord, from an earlier marriage, to Cynthia Bebout; a brother, Glenn Scheider of Summit, N.J.; and two grandchildren. [NY Times]

Saturday, February 9, 2008

DEAL REACHED IN WRITERS STRIKE, BUT HOW ABOUT THE LACK OF MINORITIES???


Like ABC's The Bachelor, Is This Thing Only About White Boys Getting Off

According to the Writers Guild of America website, the WGA and the Alliance of Motion Picture and Television Producers have ironed out the details of a tentative deal. As to the lack of African-Americans, Latinos, Asians and women who make up the guild, oh well, we'll deal with that later. Right?

The next step toward ending the writers' strike: The Guild's board will present the terms to its membership today, followed by an official vote to ratify the contract. While I still say we need to take on this ole boys club in Hollywood, here are some of the details of the tentative deal:

-- In the third year of the contract, writers will receive 2 percent of distributor's gross receipts for ad-supported streaming of television after a promotional window.

-- On permanent downloads, writers will get .36 percent of distributor's gross receipts for the first 100,000 downloads of a television program and the first 50,000 of a feature film. After that, pay is increased to .7 percent and .65 percent, respectively. [Details]

Thursday, February 7, 2008

Listen Up Brothers: Talking On That Cell Phone Is Killing Your Sperm Count!

Spending hours on a cell phone each day may affect the quality of a man's sperm, preliminary research suggests. Oh, so that's the deal with Diddy.

In a study of 361 men seen at their infertility clinic, researchers at the Cleveland Clinic found an association between the patients' cell phone use and their sperm quality.

On average, the more hours the men spent on their cell phones each day, the lower their sperm count and the greater their percentage of abnormal sperm. Meanwhile, looks like P Diddy's real issue is not making babies. Truth be told, Sean John's just decided to abandoned that burgeoning music career and will focus on his incredible thespian endeavors.